Dyed Fur Samples: Part 2

Fur-Mounting System We next needed a method of mounting the deer and fox furs so that they could be dyed and exposed in the test chamber. [See Part 1 of this series for an explanation on why we chose deer and fox furs.] Acquiring a series of meaningful color measurements from dyed fur demands a sample…

Dyed Fur Samples: Part 1

The first phase of our lightfastness testing aimed to establish the lightfastness of the Orasol® and similar Sorasolve metal-complex solvent dyes in isolation‒ that is, in the absence of a binder, and without a chemically active substrate that could potentially influence the behavior of the dyes or interfere with the measurement of color change. (See…

The Dye Is Cast

The initial sample set undergoing accelerated aging in our Q-SUN chamber is expected to be the largest. It includes all of the Orasol dyes that we have been able to acquire to date from the manufacturer BASF and retail supplier Kremer Pigments, as well as Sorasolve dyes available from Museum Services Corporation (MSC). This post…

Accelerated Aging Chamber, Part 2

Part 1 of our posts on accelerated aging instrumentation introduced the Q-SUN Xe-3 accelerated aging chamber. In this posting we describe some of the challenges we have experienced in installing and operating the machine; challenges which were unexpected and eye-opening. Problem-solving these situations has been such an important learning experience for us, demonstrating what taking…

Accelerated Aging Chamber, Part 1

Q-Lab Corporation, manufacturer of the Q-SUN Xe-3 accelerated aging chamber, promotes this machine as “the simplest, most reliable, and easiest to use full-sized xenon arc chamber available.” Before purchasing ours in February 2014, we began making upgrades to water and electrical systems in our lab to meet its basic requirements. Perhaps naively, we had planned…

What’s the Plan?

The research team had a good sense of the relative lightfastness of the Orasol dyes as a result of the renovation research, but how long could we expect the dyes to last inside an actual diorama environment? How could we better understand the ease of removal of the dyes from the animal hairs – is…